Music Director

GEORGE MANAHAN
 

  ACCLAIM IN THE PRESS  |  BIOGRAPHY  |  VIDEO 

   


Portland Opera welcomed George Manahan as its music director effective with the 2012/13 Season.  A frequent and popular guest artist at Portland Opera, the Atlanta-born conductor spent 14 years as the music director for New York City Opera and currently holds that title for the American Composer’s Orchestra.  He will begin his tenure by conducting the Company’s second Big Night Concert and outdoor simulcast on September 22 and Mozart’s Don Giovanni in November 2012. 

 

Manahan’s appointment marks a landmark event for Portland Opera, which has experienced significant artistic growth and recognition under General Director Christopher Mattaliano’s leadership.  He joins the company as one of the nation’s internationally acclaimed music directors, with a career that embraces an unusually wide range.  He has conducted for many of the world’s leading opera companies including, New York City Opera, the Lyric Opera of Chicago, National Opera of Paris, Santa Fe Opera, and Seattle Opera.  In 2013, he made his debut at San Francisco Opera, where he conducted the world premiere of Tobias Picker’s Dolores Claiborne. His other world premieres include Charles Wuorinen’s Haroun and the Sea of Stories, David Lang’s Modern Painters, Hans Werner Henze’s The English Cat and the New York premiere of Richard Danielpour’s Margaret Garner.

 

Manahan’s conducting career also extends into the symphonic world, including the National Symphony Orchestra as well as the symphonies of Atlanta, San Francisco, the Warsaw Philharmonic, Indianapolis, the Juilliard School, and the Manhattan School of Music.  As music director of the American Composer’s Orchestra and of the Richmond Symphony for twelve years, he has been honored four times by the American Society of Composers and Publishers for his commitment to 20th-century music.

 

He is also a widely recorded conductor, with his works including a 2004 Grammy nomination for Edward Thomas’ Desire under the Elms, as well as the premiere recordings of Steve Reich’s Tehillim and Tobias Picker’s Emmeline.  His television performances include an Emmy Award for the 2007 telecast of New York City Opera’s production of Madame Butterfly on PBS’ “Live from Lincoln Center,” as well as broadcasts of La Bohème, Lizzie Borden and Tosca.

 

As Music Director, Manahan oversees the Portland Opera orchestra, working closely with them to achieve consistently higher levels of excellence.  Manahan has distinguished himself here as one of Portland Opera’s most beloved guest conductors.  He made his company debut in 2006 with Macbeth, returning for Rodelinda in 2008, Rigoletto in 2009 and The Barber of Seville and Così fan tutte in 2010.  He also conducted Portland Opera’s first-ever Big Night Concert in 2011.

 

 


 

 

ACCLAIM

  
 

NATIONAL

“What a difference it makes to hear the piece performed by an opera conductor who palpably believes in it…the fervent and sensitive performance that Mr. Manahan presided over made the best case for this opera that I have encountered.”
The New York Times, NYCO's Anthony and Cleopatra at Carnegie Hall


"The Orchestra of St. Luke’s exceeded its usual high standard for versatility; George Manahan, the conductor, did an outstanding job of keeping everything in sync."
The New York Times, Ask Your Mama! with Jessye Norman at Carnegie Hall



LOCAL

“the orchestra, brought up from the pit, sounded lush, focused and balanced under the direction of George Manahan”

The OregonianBig Night (2011)

 

“The orchestra, conducted by George Manahan, played outstandingly: opening with a snappy overture and supporting the singers with just the right volume, spot-on intonation, and expressive phrasing. Manahan did double duty at the harpsichord and at one point in the first act he deftly teased the audience with phrases from Puccini, Bach and a TV quiz show.”

Oregon Music News, The Barber of Seville (2010)

 

“Conductor George Manahan similarly led the orchestra in effortless accompaniment, maintaining tight ensemble between pit and stage.”

Oregon Live, The Barber of Seville (2010)

 

“From the first measures of the overture, this ‘Cosi” was a treat, because conductor George Manahan fearlessly pressed the orchestra to play as fast as they possibly could. In fact, he whipped his baton so furiously about that the music seemed almost to careen out of control …Manahan and the musicians set the tone that this ‘Cosi” was going to be special or die trying”

—Oregon Music News, Così fan tutte (2010)

 

 “[George Manahan] restores a delicious sense of brashness and even vulgarity to the score, especially during a brief burst of banda music in Act I and during the storm in Act III … Manahan’s wordless choruses and offbeat violins evoke King Lear on the heath—appropriately, since that play fertilized Verdi’s imagination”

—Willamette Week, Rigoletto (2009)

 


 


IN THE PRESS

 

Composing a More Useful Future  |  The New York Times
The American Composers Orchestra looks forward to increasing its breadth with George Manahan as Music Director

Read the article here  

 

George Manahan on Programing  |  WXQR New York
"If the concert is just an intellectual experience, it’s missing something. If it speaks to you on a gut level, that’s what I’m looking for"

Read the article here  

 


 

BIOGRAPHY

 

Previously at Portland Opera:

Falstaff (2013)

Don Giovanni (2012)

BIG NIGHT (2011)

The Barber of Seville (2010)

Così fan tutte  (2010)

Rigoletto  (2009)

Rodelinda  (2008)

Macbeth  (2006)


 

In his second season as Music Director of the American Composers Orchestra, the wide-ranging and versatile George Manahan has had an esteemed career embracing everything from opera to the concert stage, the traditional to the contemporary. In addition to his work with ACO this season, Mr. Manahan continues his commitment to working with young musicians as Director of Orchestral Studies at the Manhattan School of Music as well as guest conductor at the Curtis Institute of Music.


He served as Music Director of the New York City Opera for fourteen seasons and was hailed for his leadership of the orchestra where he "gets from his players the kind of heartfelt involvement unthinkable in the City Opera orchestra pit 20 years ago ... these musicians operate with such consistent energy and involvement." (The New York Times)


In May 2011 Mr. Manahan was honored by the American Society of Composers and Publishers (ASCAP) for his "career-long advocacy for American composers and the music of our time has enriched and enabled Concert Music both at home and abroad." His recent Carnegie Hall performance of Samuel Barber's Antony and Cleopatra was hailed by audiences and critics alike, "What a difference it makes to hear the piece performed by an opera conductor who palpably believes in it," said The New York Times, "the fervent and sensitive performance that Mr. Manahan presided over made the best case for this opera that I have encountered."


Mr. Manahan’s guest appearances include the Orchestra of St. Luke’s, the Jerusalem Symphony Orchestra, as well as the symphonies of Atlanta, San Francisco, Hollywood Bowl, and New Jersey, where he served as acting Music Director for four seasons. He is a regular guest with the Music Academy of the West, and the Aspen Music Festival, and has also appeared with the Opera Companies of Seattle, Chicago, Santa Fe, Portland, Opera Theatre of St. Louis, Opera National du Paris, Teatro de Communale de Bologna, the Bergen Festival (Norway), the Casals Festival (Puerto Rico) and Minnesota Opera, where he was Principal Conductor.


His many appearances on television include productions of La Boheme, Lizzie Borden, and Tosca on PBS. Live from Lincoln Center’s telecast of New York City Opera’s production of Madame Butterfly under his direction won a 2007 Emmy Award.


George Manahan’s wide-ranging recording activities include the premiere recording of Steve Reich’s Tehillim for ECM; recordings of Edward Thomas’s Desire Under the Elms, which was nominated for a Grammy; Joe Jackson’s Will Power; and Tobias Picker’s Emmeline. His enthusiasm for contemporary music continues today; he has conducted numerous world premieres, including Charles Wuorinen’s Haroun and the Sea of Stories, David Lang’s Modern Painters, Hans Werner Henze’s The English Cat, and the New York premiere of Richard Danielpour’s Margaret Garner. As Music Director of the Richmond Symphony (VA) for twelve years, he was honored four times by the American Society of Composers and Publishers (ASCAP) for his commitment to new music.


He received his formal musical training at the Manhattan School of Music, studying conducting with Anton Coppola and George Schick, and was appointed to the faculty of the school upon his graduation, at which time The Juilliard School awarded him a fellowship as Assistant Conductor with the American Opera Center. Mr. Manahan was chosen as the Exxon Arts Endowment Conductor of the New Jersey Symphony and he made his opera debut with the Santa Fe Opera, conducting the American premiere of Arnold Schoenberg’s Von Heute Auf Morgen.




VIDEO 

 

George Manahan discusses his career and his role as Portland Opera's Music Director.


 

George Manahan discusses Portland Opera's production of The Barber of Seville (2010)

 

George Manahan discusses Portland Opera's production of Cosi fan tutte (2010)