April 2009

Musings from a sickbed

James DePriestAnother week when I was not very productive. I got another dose of the bug going around town and then was struck with a recurrence of some back trouble that plagues me from time to time. And, yes, I am a little better; thank you for asking!

My indisposition made me happy I was not slated to appear on the stage of some opera house this week. The issue of last-minute cast changes at opera houses seems to have become so widespread and prevalent it warranted an article in the New York Times. I read somewhere over the weekend that the Met has had substitutes sing in over 130 performances this season.

The principal cast members for the upcoming production of Rigoletto arrived in town last week and I was supposed to have breakfast with them at the usual Meet 'n Greet but I was quite sure they did not want me coughing and spluttering all over them so had to pass up the chance of seeing old friends and getting free food from Portland Opera. Later in the week I did manage to catch up with Richard Troxell who will be appearing as the Duke. He is in splendid form and it would seem that this will be a fun show - well, if your idea of fun is watching some poor lass being killed while held in a sack.

Mr C

Tito CapobiancoLast week's blog was rather abbreviated so this week you will get rather more than usual (two separate and distinct parts, no less) to make up for it.

On Monday last I went to the opera master class being given at PSU by Senor Tito Capobianco and afterwards had a very brief chat with him which led to our getting together on Wednesday to chew the fat at greater length.

The first thing I must tell you about the man is that he is an out and out fraud. He apologises for his “poor English” and then displays an understanding and feeling for the nuances of the language that put my own to shame. He will tell you he is getting old. Pah! The man has a demeanour and vitality of any other man one half his chronological age. He will shake his head at you and tell you his memory is letting him down. Pshaw! I would not be surprised to hear that he gives master classes in factual recall to elephants!

I had taken with me to our meeting some paper and a pen in the hope of making notes that could be reproduced here in interview form. Some chance. In the much-too-short one hour we had together he spoke of Nietsche, Freud, Socrates, Laurence Olivier ("I saw him play Hamlet nine times. Nine times!"), Anthony Quinn, St Augustine, Disraeli, Einstein, Andre Previn, the hopes and dreams of US soccer (comparing and contrasting the European playing model with the American and South American ones), how working in Germany enabled him to cultivate discipline and how that is for him such a necessary adjunct to the passion he gets from his Mediterranean background. Oh, and opera.

OPERAMAN: Falstaff

Portland State University FalstaffIf I had had to pick on one thing that I thought Shakespeare and Verdi have in common it would have been that neither of them is very funny. Now, I have been a lover of the Bard since I was a teenager, have read nearly all of his plays and acted in a number of them (I believe my interpretation of Lady Macbeth is still talked about at my old boarding school. Not in a good way). The tragedies never fail to move me and the histories are wonderfully, well, historic and all. But the comedies.....It is true that to a great extent my disappointment in them was brought about by the fact that I thought a comedy was something humourous. It is only relatively recently that Elizabeth pointed out to me that a comedy is nothing more than a piece with a happy ending. It is not required to be a barrel of laughs. So, Shakespeare gets a pass on that one.

As to Verdi, let me confess right off the bat that I am not very familiar with the majority of his operas. I know Aida and Rigoletto and Macbeth quite well and Otello a bit but that's about it and let's face it nobody ever went to a production of Aida for its humourous qualities.

OPERAMAN: And now for something completely different.

Los Angeles Opera Die WalkureAgainst the possibility you have had enough of all the Falstaff stuff here are a few of the usual tid-bits for you.

Die Walküre, the second opera in Wagner's Ring Cycle, is under way in Los Angeles. And judging from the comments added to this article, the paying punters don't seem to care for it very much. An entire article in the LA Times was dedicated to the hi-tech transport provided for the Walkyries themselves. The article (as you will see if you go here) was accompanied by a photograph showing the Walkyries with their Star Wars light sabers and their trusty steeds. Is it just me or have they been given old-fashioned bicycles to ride? Still, it's good to know where the $32 million this Ring production cost was spent.

So, you are shortly to conduct "the most transparent and riveting account of Sibelius’s elusive Fifth Symphony in memory" at the Carnegie Hall. What do you do as a warm-up? If you are Davis Robertson you conduct a performance of Frankenstein by Austrian composer H.K.Gruber. Except that isn't what you actually end up doing because when Herr Gruber, who was slated to perform the vocal parts and in addition play slide-whistle and kazoo, fails to show you turn over your conductor's podium to the orchestra's young but able resident conductor and you take over the chores of your missing performer. Don't believe me? Go here.

Just so you know I am here!

Firefox eats Internet ExplorerI need to be very brief today. For boring reasons I won't explain but which concern me changing my isp and phone service provider I am having to rely on the wifi in my apartment building and I manage to log on for about three minutes on any given day. This situation will pertain until this coming Friday after which you - and I - may expect things to return to normal.

So, just a couple of things for you. First, the award for the wittiest April Fool's of the year goes to Apple who made the first two minutes or so of John Cage's 4'33" available as a free dowloadable cell phone ring tone. Is that cool or what?

On the Rolando Villazón front, the word is that he has been spotted walking in New York. Is he really going to sing in Elisir on April 8th just to make me eat my metaphorical hat?

Today I am going to attend an opera master class at PSU given by Tito Capobianco. I hope to have an oppportunity to have a chat with him afterwards. I shall report accordingly, needless to say.

I'll try to have something more for you later in the week. Even at the expense of cutting into viewing time from the Masters at Augusta National.

Have a great week.