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Week 5: Make it work!

Welcome POGO!
Hello Portland Opera Blog World!


Ksenia here….Your resident Queen of the Night/First Lady. We POGO-ers are extremely sorry about the lack of updates on our adventures, but I promise we are hard at work! I’m going to take you back to the last week of January, into the time machine we go……. (bzzzzz, meeep meep, DING!)


This week has really warmed our little POGO hearts. We have many a show, in many a place, but one of our favorites this week was most definitely visiting St. Mary’s Home for Boys. After presenting our show to the boys, we got to dine together. Each POGO-er sat at a table with 3-5 boys and talked about various aspects of our show, opera, and life in general. The gentlemen at my table ranged from 10 to 14 years old and had many questions….So many that I was asked sometimes 3 different questions at once and tried my best to keep up. There was much curiosity about where we visit, how I came to opera, where I was from (Seattle, woohoo!) and whether I preferred the Beavers or Ducks (this one left me

Traveling
Much of our travel time is spent like this...

a little puzzled until one of the other boys clued me in on the fact that these are local sports teams). 


We left the school with both our bellies and our hearts very full.

Meet the Staff (sort of): Francesco Milioto, Interim Chorusmaster & Assistant Conductor

This week I bring you a little interview with our most recent chorusmaster/assistant conductor candidate, Francesco Milioto. I was curious about what it's like to come in and have what essentially amounts to a month-long audition. Francesco was great to work with, and I appreciate the time he took to answer my questions.

IMG_2797

 

Where are you from?

Born in Toronto, Ontario CANADA but I now live in Chicago.

 

What's your background? Where did you go to school, and what did you study?

My background, Sicilian.  Started playing piano at 6 or 7. Came home from school and my father had bought me an upright piano and put it in my bedroom. I never asked to play an instrument, never played one. He had already signed me up for lessons. I guess it worked out. I went to the University of Western Ontario for my undergrad in piano performance where I studied with Ron Turini, a former pupil of Horowitz. Then for a Masters in Orchestral Conducting and Opera repetition at the University of McGill in Montreal.

 

You came to join us mid-season, and were thrown right in. You didn't meet the Tosca chorus until the first rehearsal, and then hit the ground running with chorus rehearsals, staging rehearsals, artist coachings, previews, a recital. Can you tell me a little bit about this experience? What is it like? Is there a particularly unique challenge to this situation, or is it pretty much par for the course for anyone who guest conducts?

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Tosca dribs and drabs

scarpia

 

Today's blog title is a tiny shout-out to our Maestro, Joseph Colaneri, who yesterday before the matinee asked me if I could send our concertmaster to chat with him, because he had "just a few dribs and drabs" to adjust in the strings before the performance.

 

I was hoping to have an interview for you today with our current interim Chorusmaster & Principal Coach, Francesco Milioto, but that didn't work out -- maybe next week! Instead I have an assortment of Tosca-related notes that I've been compiling during this past week of rehearsals and performances.

 

Trials and tribulations of running supertext

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