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About dramma per musica

Name

Robert Kingston

Bio

Where to begin? My name is Bob Kingston. I’m a librarian, free-lance musicologist, pre-concert lecturer, and self-professed opera fanatic living in Portland, Oregon. My operatic tastes are pretty eclectic, though I’m not a huge fan of French grand opera (who is?) and Gluck’s appeal totally escapes me. Radical or updated stagings don’t bother me in the least, as long as they succeed in bringing out aspects of the drama that I hadn’t noticed before. I’d rather watch something that generates a strong reaction–negative or positive–than sit through yet another thunderously dull production of Carmen or Rigoletto. I love collecting historic vocal recordings, and I often use examples of these in my classes and presentations. So, don’t be surprised if I post a clip of some obscure Russian tenor or Italian baritone from time to time.
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dramma per musica's Blog

“right and final”

In preparation for next month’s production of L’heure espagnole and L’enfant et les sortilèges with the Portland Opera Studio Artists, I’ve been going through A Ravel Reader, Arbie Orenstein’s marvelous collection of correspondence, articles, and interviews. I’m just enough of a creative process geek to find all of this stuff endlessly fascinating anyway, but with Ravel there’s an added bonus because his music often half conceals what it half reveals. I’ll be posting random quotes from the book between now and the first week of April, when the two shows open; many of these will relate to the operas, while others will–I hope–provide a more general background to Ravel’s compositional art. To start, here’s Elliot Carter, writing about Ravel in 1937:

knight errant

Georges Rochegrosse's poster for Don Quichotte (1910) I’m heading north to catch today’s matinee of Jules Massenet’s 1910 comédie-héroïque, Don Quichotte, at Seattle Opera. Originally conceived as a vehicle for the great Russian basso, Feodor Chaliapin (1873-1938), several other outstanding singers have performed and/or recorded the title role since its premiere in Monte Carlo, including Boris Christoff, Jerome Hines, Nicolai Ghiaurov, Ruggero Raimondi, Samuel Ramey, José van Dam, and Ferruccio Furlanetto. (Seattle’s Gold Series Don Quixote is John Relyea, and his Silver Series counterpart is the young French bass-baritone, Nicholas Cavallier.) In this pair of clips, we can see and hear two of those noted interpreters in action. First off is van Dam, who in this 201o production from Brussels, attempts to do battle against a giant windmill blade at the end of the second act. His hapless Sancho is Werner Van Mechelen. And from a 2002 concert performance in Moscow, Nicolai Ghiaurov sings Quixote’s moving Death Scene in Act 5, with his wife, Mirella Freni, providing the off-stage voice of Dulcinée.

friday link dump

Some odds and ends from this past week that you might have missed. Have a great Friday!