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About PDX OPERAbeat

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Jess Crawford

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PDX OPERAbeat | A Company Blog is the blog for all things Portland Opera, featuring a variety of guest contributors who will provide insider's tidbits on all we do to celebrate the beauty and breadth of opera. Jess Crawford is our primary blogger. Jess spends much of her time eating enormous amounts of cake, making long lists of books she'll probably never read, and challenging people to arm-wrestling contests. During the day (and sometimes at night) she is Portland Opera's music librarian. She writes more about her escapades at her personal blog: http://bravissimi.blogspot.com
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Portland Opera in the Windy City- Act II

Going to the Opera!
The Lyric Opera of Chicago performs at the Civic Opera House, which is part of a huge office building in downtown Chicago:

Blog 1- Act II


The theater has 3,563 seats, and was built in 1929. The interior was named The Ardis Krainik Theater in 1996, after the former General Director. It has a stunning Art Deco design:

Blog 2 - Act II


Rinaldo
Seeing Rinaldo was a great start to our trip!  The opera is very beautiful, and, we found out, is also indestructible - even when trapped within a wacky 'Euro-trash' production. Below are some images from the production.

I assume the balloons represent the fully blossomed love between Rinaldo and Almirena??? When she is captured, the evil sorceress Arimda "imprisons" Almirena inside the floating harpsichord - cool! Rinaldo (center stage) however, swears to rescue her, while his soldiers strut their stuff and shake their booties in preparation for battle - cool!
 

Blog 3- Act II


Armida keeps a liquor drawer within the floating harpsichord - cool! She gets plastered as she wanders the stage, scotch bottle in hand, lamenting her fate, and seething with jealousy over Rinaldo's love for Almirena. Her jealousy is perhaps represented by the floating green eye???
 

Portland Opera in the Windy City - Act I

Our latest trip for opera lovers is to Chicago ("that toddling town"), where we will attend three performances at the Chicago Lyric Opera. This is the sixth trip Portland Opera has taken with Act I Tours, each with Jacqueline Sale as the perfect tour guide. I'm delighted to be hosting such a great group of friends, subscribers, fellow opera-lovers, and to be back in the great city "windy city" of Chicago!

We arrived on Wednesday, March 7, and kicked off our trip with dinner at the top of The Willis Tower (formerly named The Sears Tower). Here we are in the lobby, about to go up 103 floors (yes, that's the Peter Bilotta on my arm):

 Chicaco Trip Photo 1

Thursday morning we met Joe Cunniff, who was born and raised in Chicago and knows the city inside-out. Joe teaches at DePaul University and at the Art Institute of Chicago, one of the greatest museums in the world. Joe has been regularly attending the museum since he was eight years old. We could not have asked for a more informed and passionate museum guide. Here's Joe talking to the group, with El Greco's The Assumption of the Virgin hovering above us:

Chicago Blog Photo 2

It's difficult to describe the impact of the Art Institute of Chicago. The hours we spent there this morning were truly unforgettable. The museum owns so many famous paintings, and they are beautifully displayed in spacious, well-lit galleries. What follows are just a few highlights of the visit...


Seurat's A Sunday on La Grande Jatte. Sondheim fans will recognize this painting as the basis for his great musical, Sunday in the Park with George.

Chicago Blog Photo 3

Joe explains how Toulouse-Lautrec, similar to Alfred Hitchock in his films, will often appear in his own paintings. He's the short guy standing at the bar in the back:

Chicago Blog Photo 4

Here we are in an entire room full of paintings by Monet:

Chicago Blog Photo 5

The original American Gothic, by Grant Wood, is in this museum. Joe informs us that it is one of the most copied and parodied paintings in the world.

Chicago Blog Photo 6

Louis and Judy McCraw with an Edward Hopper:

Chicago Blog Photo 7

John and Virginia McCormac with a "blue-period" Picasso:

Chicago Blog Photo 9

Julie Reiersgaard and Loran Mate with a "cubist" Picasso:

Chicago Blog Photo 10

Our mighty group enters the modern wing:

Chicago Blog Photo 11

And finish our museum visit with a delicious lunch:

Chicago Blog Photo 12

Tonight, we attend our first performance at the Lyric - Handel's Rinaldo!

I'll be back tomorrow...

Chris Mattaliano

On ballet, Philip Glass, and the difficulties of dancing

This week's blog starts exactly the same way last week's started:

 

Not opera (again)

Saturday night, I attended OBT's final performance of Giselle (with Jennifer Hammontree, our Production Stage Manager, as my always-fabulous date. Actually, I was her date. I DIGRESS). I love watching dance, but with the exception of that one time in kindergarten, I've never taken a dance class in my life.

 

That one time in kindergarten: my mom took me to one ballet class, ever, when I was five. She grew up dancing -- my aunt was a professional dancer and dance teacher -- and thought I'd follow in her footsteps. But I hated pink and preferred playing with worms in the backyard. Sorry, Mama.

 

I was really excited about Giselle. I'd read a few great reviews and everyone I knew who'd seen it said it was terrific. Hilariously, Jen and I kind of forgot that we weren't at an opera, and we didn't think to read the program beforehand, so for the first act we really had no idea what was going on. I found myself looking for the supertext screen just as the house lights dimmed, because I'm so accustomed to seeing "Please silence all electronic devices" flash up there. Meanwhile, she's next to me saying "house to half, go," because she can't sit in the theater without mentally calling the show.

 

This is how people in theater end up dating and/or marrying other people in theater. Because sometimes we might be a little insufferable?