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About Portland Opera To Go


Portland Opera To Go


Each year Portland Opera To Go takes an opera on the road, sharing the power of opera, music, and theater with schools and communities throughout Oregon and SW Washington. It’s not necessarily the easiest thing in the world, as you might imagine. But it’s one of the most rewarding . . . for us and for the thousands upon thousands of students who get to experience live opera, many for the first time.

And this blog will give you a first-hand view from the performers themselves of what it’s like when Opera hits the road!


Here’s a link to more information on the tour and the program.

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I belive in miracles.

I believe in miracles. Especially the theatrical miracle. Over and over our LaGrande residency has proved that the theater owner in "Shakespeare in Love" was right when he answered the desperate question, “How will it be alright?” with, “I don’t know. It’s a miracle.”

Last week, POGO loaded up into the van on Monday morning and drove to Eastern Oregon University in LaGrande. The plan was to arrive early to mid-afternoon, check into the hotel and have time for a deep cleansing breath before I headed over to the university with David, our accompanist for our first rehearsal with the children’s choir for the second act of La Boheme. Oh, did I forget to tell you? We were going to stage the entire second act of La Boheme in just under 4 hours. As Christopher Mattaliano, our GD told me when he heard that that was my plan, “You do realize that that is the most difficult 20 minutes in all of opera to stage, right?” Well, Chris, I do now. But, then fools rush in where angels fear to tread, and, while I don’t think I am a fool, I am no angel!

Anyway, the Grande Ronde Community Choir, the children’s choir, three of the university students (thank you, Keil, Renee and Jon!), one university professor (thanks, Peter!) and the intrepid cast of POGO pulled it off. I cannot believe we did it, but we did. Granted, I pulled the principals into about 4 hours of rehearsal away from the chorus, but still. I was very impressed with the hard work and dedication that made it happen.  

And I need to give a huge thanks to Michael Frasier—he pulled together the minimal props and built me a platform so I could get some of the bodies off of the floor. His efforts were heroic, and I appreciate him more than I can say!