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About PDX OPERAbeat

Name

Jess Crawford

Bio

PDX OPERAbeat | A Company Blog is the blog for all things Portland Opera, featuring a variety of guest contributors who will provide insider's tidbits on all we do to celebrate the beauty and breadth of opera. Jess Crawford is our primary blogger. Jess spends much of her time eating enormous amounts of cake, making long lists of books she'll probably never read, and challenging people to arm-wrestling contests. During the day (and sometimes at night) she is Portland Opera's music librarian. She writes more about her escapades at her personal blog: http://bravissimi.blogspot.com
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Rinaldo!

Last week, while everybody else was celebrating presidential birthdays (presumably this is what you did with last Monday's federal holiday), those of us who run and attend rehearsals were here in our studio bright and early to attend a design presentation from our director and designer, and then the first 'sing-thru' of Rinaldo. We kind of can't believe it, having only closed Tosca a week before (!).

 

Because we build it from scratch each year, the Newmark show is very special to us. There's something indescribably cozy about the process, because it is almost entirely an 'in house' production -- there are normally very few guest artists or designers. And it's true again this year: the whole cast is made up of current or former Resident Artists. There's a lot more work involved, because, of course, we're building it from scratch, but it's also immensely satisfying, a very different kind of satisfying than the other shows we produce. Plus, the Newmark is a beautiful space and we always have a lot of fun over there.

 

the set of RInaldo

Part of the set of Rinaldo, built for us by local scene shop Stage Right. Yes, that is a sink.

 

Meet the Staff (sort of): Francesco Milioto, Interim Chorusmaster & Assistant Conductor

This week I bring you a little interview with our most recent chorusmaster/assistant conductor candidate, Francesco Milioto. I was curious about what it's like to come in and have what essentially amounts to a month-long audition. Francesco was great to work with, and I appreciate the time he took to answer my questions.

IMG_2797

 

Where are you from?

Born in Toronto, Ontario CANADA but I now live in Chicago.

 

What's your background? Where did you go to school, and what did you study?

My background, Sicilian.  Started playing piano at 6 or 7. Came home from school and my father had bought me an upright piano and put it in my bedroom. I never asked to play an instrument, never played one. He had already signed me up for lessons. I guess it worked out. I went to the University of Western Ontario for my undergrad in piano performance where I studied with Ron Turini, a former pupil of Horowitz. Then for a Masters in Orchestral Conducting and Opera repetition at the University of McGill in Montreal.

 

You came to join us mid-season, and were thrown right in. You didn't meet the Tosca chorus until the first rehearsal, and then hit the ground running with chorus rehearsals, staging rehearsals, artist coachings, previews, a recital. Can you tell me a little bit about this experience? What is it like? Is there a particularly unique challenge to this situation, or is it pretty much par for the course for anyone who guest conducts?

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Tosca dribs and drabs

scarpia

 

Today's blog title is a tiny shout-out to our Maestro, Joseph Colaneri, who yesterday before the matinee asked me if I could send our concertmaster to chat with him, because he had "just a few dribs and drabs" to adjust in the strings before the performance.

 

I was hoping to have an interview for you today with our current interim Chorusmaster & Principal Coach, Francesco Milioto, but that didn't work out -- maybe next week! Instead I have an assortment of Tosca-related notes that I've been compiling during this past week of rehearsals and performances.

 

Trials and tribulations of running supertext

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